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Street-Level Youth Media
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produced by Street-Level young people can be viewed
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Organization
Street-Level Youth Media
Contact details
Street-Level Youth Media
1856 West Chicago Avenue
Chicago, IL 60622, USA
Tel: +1 773 862 5331
Fax: +1 773 862 0754
Email: admin@street-level.org
Website: www.street-level.org
Project partners
Chicago's Cable Access Network Television
Illinois Institute of Technology
Gallery 37
Tech 37
Chicago Historical Society
Chicago Park District
Chicago Youth Centers' Elliott Donnelley Center
Chicago Arts Partnerships in Education
Chicago Public Schools
Columbia College, Chicago's Office of Community Arts Partnership
Location
West Town and Uptown, Chicago, USA.
Background
Everything we are today started from a simple idea. What if young
people in our West Town neighbourhood had video cameras to document
the world as they saw it? What stories would they tell? What could
they teach us? Teenagers from the local high school took the idea
and ran with it. That first summer they made 40 videos about everything
from gangs to their families to the gradual gentrification of their
neighbourhood.
They threw a giant community block party and broadcast their videos
on 70 monitors up and down the street. This first Street-Level Block
Party drew national attention and inspired an entire community to
celebrate the talents and dreams of their youngest residents.
With the success of this first effort, a new idea arose. What if
there were a place in the neighbourhood where Street-Level students
could teach other kids how to make videos? What if there were a
safe place to come in off the street and actually do something about
the problems? That place was the first Street-Level storefront.
Located across the street from Wells High School and on a corner
where four gang lines converge, the storefront became known throughout
the city as 'that video place run by kids'.
Aims and objectives
Street-Level Youth Media educates Chicago's inner-city youth in
media arts and emerging technologies for use in self-expression,
communication and social change. Street-Level programmes build self-esteem
and critical thinking skills for urban youth who have been historically
neglected by policy makers and mass media. Using video production,
computer art and the Internet, young people address community issues,
access advanced technology and gain inclusion in our information-based
society.
We work with youth rejected by mainstream society and traditional
youth agencies, advocating their needs and pushing them to new heights.
We want to show how art and social commentary can meld together
at the grassroots level to empower youth. Our ongoing hope is to
create opportunities for young people to find solutions to their
problems, to strengthen their communities and work together towards
economic viability.
Participants
Urban inner-city youth, ages 8-22. Street-Level serves over 1,800
young people each year who are predominantly from low-income, minority
backgrounds.
Target audience
Street-Level's programmes help urban youth, who have historically
been neglected and negatively portrayed by mainstream mass media,
to see themselves in a positive light. The programmes also provide
state-of-the-art digital technologies for communities that do not
have access or purchasing power to obtain such technologies.
Wider beneficiaries
In addition to the children and young people, who benefit directly
from this programme, the inner-city communities they come from,
as well as society in general, will be the indirect recipients of
these benefits.
Involvement of children
Street-Level has always been insistent on involving young people's
voices in every aspect of decision-making, organization and programmes
that we offer and undertake. To this end, a Street-Level youth,
Lucia Gonzales, serves on the Board of Directors. Youth are represented
on decision-making programme committees, such as for the Block Party.
Recently, Street-Level has started a youth intern programme, whereby
Street-Level's college scholars are given the opportunity to get
involved with the activities of different departments and thus better
understand the workings of the organization. Street-level is also
in the process of developing an ongoing online evaluation system,
which would allow participants to direct the flow of curriculum
and programming.
Summary of project
Drop-In programmes at neighbourhood multimedia labs provide
access to computers, the Internet, video production and editing
facilities.
Special Projects offers media-making employment opportunities
in collaboration with recognized cultural institutions throughout
Chicago and the US.
In-School programmes model an integrated arts curriculum
in Chicago's public schools, working with classroom teachers to
weave media into existing coursework. Works are created in many
formats - video, web-based, computer art, digital photography and
writing. The themes range from creative expression on self-identity
to socially conscious works on gentrification, violence, racism
and other community issues.
Funders
Street-Level was able to provide youth programming in 2001 through
the generous support of Boeing, Chicago Foundation for Women, City
of Chicago Department of Human Services and the Department of Cultural
Affairs, Arie & Ida Crown Memorial, Field Foundation, Gap Inc.,
Illinois Arts Council, Kaufherr Foundation, Kaplan Family Foundation,
Kraft Foods Inc., MacArthur Foundation, Manufacturers Bank, Marshall
Field's Project Imagine, National Endowment for the Arts, New Control
Inc., Northern Trust Company, IBM, Garry J. Scheuring Charitable
Trust, Girl's Best Friend Foundation, Open Society Institute, Sara
Lee Foundation, Surdna Foundation, Polk Bros. Foundation, PriceWaterhouseCoopers,
First Industrial Realty Trust, Gardner, Carton & Douglas, Service
Club of Chicago, and TCF Bank.
Cost
Total operating costs are US$995,000.
Strengths of project
Street-Level's organizational model is unique as it employs shared
management. Five co-directors share the duties and responsibilities
of one executive director, overseeing various aspects of the agency's
programmes and development. By sharing these roles, Street-Level
has greater accountability and visibility. To ensure Street-Level's
management team is working effectively, the organization works to
improve accountability and communication skills through weekly co-
director meetings and regular evaluations conducted by peers, staff
and the agency's Board of Directors. This management structure also
lowers administrative costs.
Challenges
One of the issues that Street-Level is constantly trying to address
efficiently and responsibly is that of recruitment. Street-Level
is open to all youths who would like to participate in its programmes,
but usually it is the young people who do not make it to our sites
on their own - those who have fallen between the cracks - who need
to be targeted and educated about the opportunities available to
them. Another challenge comes in finding new resources and financial
support in order to continue and expand programme facilities. Street-Level
tries to offer competitive wages to its staff, but it is always
a challenge to create a healthy work environment that will attract
and retain talented staff at non-profit wages. Finally, the role
of the artist collaborator when working with youth, as well as the
importance of maintaining youth voice as the foremost component
of the work we do, is prominent in the discussions of process at
Street-Level.
Evaluation
Using the power of technology, Street-Level intends to move its
youth intake, tracking and evaluation online, creating an ongoing,
real-time record of the agency's media arts programming and the
impact it has on participants. Street- Level will create a database
that will serve as a model for innovative youth tracking and assessment.
Street-Level's online database will be a new platform on the agency's
existing website.
Portions of the platform will be made accessible to other community
groups, funders, educators, policy makers and those working with
young people or media arts programming. Through a password-protected
web-based platform, new participants will fill out intake forms
on which they will identify their background and issues of concern.
Street-Level staff will use this information to tailor the curriculum
to young people and measure their artistic and technical development
as well as self-confidence and critical-thinking skills.
Each time a youth participates in a Street-Level programme or comes
to a Street-Level site, they will log into the database, updating
their information and involvement. Street-Level Programme Instructors
will be able to monitor youth progress through ongoing participant
evaluation forms in which young people demonstrate skills that they
have attained while assessing programme content. This data will
also help to enhance future projects and give youth a voice in the
design of the organization's activities. By creating this web platform,
Street-Level and its programme partners will be better able to use
this type of valuable information to reveal the impact of the programmes
and the needs of its youth.
Lessons learned
One of the reasons Street-Level has been able to go so far in its
endeavours is that the staff have always stayed close to the mission
of the organization, and return to its message in times of need.
With the mission as the centre of gravity of the organization, the
goals and the path to be taken are always in focus.
Sustainability
Street-Level has been recognized by Fast Company magazine,
a national publication charting trends in the digital world. In
'Across the Great Divide' - a feature article in the 1999 July/August
edition - Fast Company examines the growing gap between 'America's
techno-haves and have-nots', stressing the importance of innovative
programmes that bridge the digital divide. On Street-Level, they
write, 'Their message is clear: forget about technology as a tool.
At Street-Level, technology is an art form, a vehicle for self-expression
that gives disconnected urban youth a way to say, "This is my world,
and this is how I see it." Programme participant Noreen Jenkins,
17, was quoted as saying, "The best thing they've given to me at
Street-Level is my self-esteem."'
Anecdote
Jacyn Bell's son Jason participated in Street-Level's In-School
programming at Dodge Elementary. Jason was also one of the youth
participants chosen to tour the Comdex Conference and to meet former
President Clinton in April of 2000. After these events, Ms. Bell
wrote to Street-Level's In-School Director these encouraging words:
"Ms. Searcy, be very encouraged knowing that you are such an inspiration
to inner-city students. As a parent I have been trying to involve
my children in constructive after-school curriculums. Street-Level
Youth Media has proven itself to be one of the most positive time
investments that any youth could make. The equipment that is available,
the education, and the guidance from the mentors is priceless."

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